Sunday, June 10, 2007

I left school at the end of 1966 and didn't start university until the following Autumn. I enrolled at L'institut britannique in Paris in January 1967 but soon got bored and joined a friend with a car on a trip to Morocco. We stopped off in Aix-en-Provence to pick up a couple of other guys, one of whom was called Nick Drake. We had many adventures and spent time together later at Cambridge and in London. He died in 1974 having made a couple of records. Since then he has become a cult figure. It's bizarre to think that forty years after I met him he would be posthumously releasing a new album; that there would be a new biography of him; and that his sister, Gabrielle, would be publishing a letter and podcast to him for the world to read and hear. Sister and brother below.

Gabrielle Drake Photo

There is an excellent article in the latest issue of Logos about the insularity of the world's book trade press. I'll ask the author's and publisher's permission to run it here in due course. Meanwhile, here is a genuinely non-Angloamerican trade press website, Publishing Today, from China. I particularly like their bestseller list which contains only one 'Western' title but which also has some of the best names for publishing companies I can imagine. I think the British Machine Press has a nice ring to it.

And finally, I wrote about my discovery of the Unabridged Shorter Oxford English Dictionary and here, courtesy of Terry Lee who just happened to be passing with a camera in hand, is the evidence. Messrs Onions, Fowler, Burchfield etc would be turning in their graves.

#    |  Comments [3]  | 
6/10/2007 10:40:49 AM (GMT Standard Time, UTC+00:00)
I have to admit to not being a big Nick Drake fan, but I do have his original albums and enjoy listening to them occasionally. He's one of those artists about whom I wonder what would have happened if he had not died tragically young. Like others who had a similar fate, do their stars shine brighter as a result or have we missed out on a far greater body of work? It's one of those subjects that comes up with friends, usually around a dinner table, most often after a few glasses of wine. The best thing about such talk is that inspires the playing of music and nice thoughts of a time when the things that mattered seemed far more interesting than most things today.

Gerry Beckley from the band America and I were talking about Nick one day and he said "It was Nick's ‘Hazy Jane’ that inspired me to write 'Daisy Jane'. Two for the price of one. It can't be bad.
6/10/2007 7:19:27 PM (GMT Standard Time, UTC+00:00)
Went to movies in Johannesburg last night; DRIVING LESSONS with Julie Walters and up came Nick's PINK MOON in the soundtrack. Wonderful song, had I really forgotten it? No, it was always there.
Armando Ianucci, in a recent GRAMOPHONE article says that pop (ok, he says popular, but I'm taking the liberty) music is rooted in context. In 2007 we pull out an LP from the 60s because we remember where we were when we first heard it, with whom we first heard it, who always had it playing, etc. REM concerts are full of
40-somethings and Blur full of 30-somethings. (Do you get a discount if you bring your Zimmer frame to see Status Quo?)
Question. How can Nick release a new album 33 years later? Wot can the book trade learn from this? I doubt the cuts were hidden somewhere, its just nobody wanted to publish them.I reckon it shows just how the fickle public depends on 'promo'.Nick's music should never be the musical equivalent of out of print. But the Paris Hilton CD bumps it off the shelves.
And so it is with books. The Paris prison diaries will outsell those of Mr Wilde, at least in the next year or so. Why do publishers publish rubbish?
BTW, read the Drake biog, its wonderful, sad and well researched. You will learn a lot (Thanks, Richard)
6/11/2007 5:11:42 PM (GMT Standard Time, UTC+00:00)
Ah, what a really nice Drake anecdote. As a long time fan, I'm so delighted he's getting the recognition his talent deserved in his lifetime.